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David Watkin (cinematographer)
・ David Watkin (historian)
・ David Watkins
・ David Watkins (Australian politician)
・ David Watkins (British politician)
・ David Watkins (cricketer)
・ David Watkins (designer)
・ David Watkins (Kentucky politician)
・ David Watkins (rugby)
・ David Watkinson
・ David Watmough
・ David Watson
・ David Watson (1920s rugby league)
・ David Watson (academic)
・ David Watson (actor)


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David Watkin (cinematographer) : ウィキペディア英語版
David Watkin (cinematographer)

David Watkin BSC (23 March 1925 – 19 February 2008) was a British cinematographer, an innovator who was among the first directors of photography to experiment heavily with the usage of bounce light as a soft light source. He worked with such film directors as Richard Lester, Peter Brook, Tony Richardson, Mike Nichols, Ken Russell, Franco Zeffirelli, Sidney Lumet and Sydney Pollack.
In 1985, Watkin won the Academy Award for Best Cinematography for his work on ''Out of Africa''. He received lifetime achievement awards in 2004 from the British Society of Cinematographers and the cinematographic-centric Camerimage Film Festival in Łódź, Poland.
In ''Chariots of Fire'', he "helped create one of the most memorable images of 1980s cinema: the opening sequence in which a huddle of young male athletes pounds along the water's edge on a beach" to the film's theme music by Vangelis.
==Early life and career==
Watkin was born in Margate, Kent, England, the fourth and youngest son of a Roman Catholic solicitor father and homemaker mother, and grew up within a well-to-do upper-middle class household. He gained an early enthusiasm for European classical music, which was left to be satisfied only as a passive listener when his father rejected his request for a piano and lessons; Watkin always contended that he would rather have been a professional musician than a cinematographer.
After a brief period in the Army during World War II, Watkin started work at the Southern Railway Film Unit in 1948 as a camera assistant. After the unit was absorbed into British Transport Films in 1950, he eventually climbed the ranks up to director of photography at BTF before going off to work freelance in commercials around 1960.
Before working in feature films "as a fully fledged cinematographer", he shot the title sequence of the James Bond film, ''Goldfinger'' (1964).〔

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